Vélez, by writing this book against the black legend. It took to read, because as I read I thought much of what I read is one of my multiple defects give them turns to things.įirst, humbly I have to say is thank you Mr Vélez is to thank the Mr. As I read it, I could not stop to think, and take turns to what he said.

Quite the contrary, but also because it had to pay attention to every word, he said. This book would have around 360 pages, and take nearly three days, but not because it was boring. The ill-fated 'code Da Vinci' had almost 600 pages in the Spanish Edition, but it was so flimsy surface that takes a day to read it. This book is so deep, so interesting, so complex, and so full of erudition, which did not know that aspects of the same comment. I didn't know how to address it, nor as sink you the teeth. I answer to the question of aside from the reason given at the beginning of my criticism, of why I took so long to write a review of 'about the black legend' Iván Vélez? There were several reasons, apart from by my innate laziness.

I saw many friends of mine in Goodreads were giving me a beating, and I am very competitive decided to get the batteries so the week pass myself to read rather than write reviews, and now I'm going very delayed and I owe much criticism.Ĭriticism of the book I'm going to write now is very interesting. Ladies and gentlemen, I am sorry I delayed my criticisms, but I was widely exceeded in my challenge. The primary aims of the paper are to juxtapose Flaubert’s mentality models with those in The House of Ulloa, consider the specificity of the bovarist model as shown in the classic as well as to demonstrate that this peculiar take on the Emma Bovary syndrome enriches the symbolic dimension of the novel and represents the symptomatic state of mind of the Spanish at the end of the 19th century.Dedicated with affection to Malgorzata Wolzyck The comparatist perspective of the present study required a closer look at some elements of the diegesis: space, customs represented by the secondary characters and the inner world of the main characters.

Although some of its characters show direct affinity with the bovarist psychological model, this particular aspect of the novel –a masterpiece of the 19th century Spanish literature – has not yet been researched, even within the Spanish-speaking literary criticism. The House of Ulloa is considered the most significant work of Emilia Pardo Bazan, who is said to have introduced Zola’s naturalism into the Spanish narrative.

Sobre la leyenda negra by Iván Vélez